Download a 300-DPI PDF
Download a 300-DPI CBZ
With the help of Google Translate, I did a rough translation of the
article.
|
Paris Match, December 24, 1976, Page 1
Download a high-res image
King Kong: The secrets of his triumph in Paris
|
Paris Match, December 24, 1976, Page 2
Download a high-res image
The night of his arrival at the Champs-Elysées, King Kong
climbs the facade of Paris Match where Europe 1 has set up
its studio. His huge hands break the windows and seek to seize the
secretaries, who pass out...to capture this photo of terror, which
reproduces one of the scenes of the film—the escaped ape
terrorizes New York, smashes cars, destroys the subway, and
looks in the buildings—it took our photographers and our
reporters a considerable amount of work, plus 10 assistants for
4 hours. A little later, the large 16m robot was displayed at
the Champs-Elysées for the preview of the film that will be
released for the holidays.
|
Paris Match, December 24, 1976, Page 3
Download a high-res image
The stampede is such that the agents will have to revive 25 women,
and collect 33 children who climbed the barriers to touch Kong.
For 100,000 Parisians, the King Kong scene looks like a riot.
From midnight, the crowd invades the Champs-Elysées to see
the giant gorilla (16 meters and almost two tons) lying, through
Sunday, on the sidewalk in front of our newspaper building. Paris
Match and Europe 1, who organized this King Kong display for you:
the great ape who, despite his growls, did not scare anyone, preceded
the Paris release of his film on December 17 in 2,500 theaters around
the world. We have to line up for three hours to go up for a few seconds
on the bridge which leads to the monster. For these dream seconds,
thirty technicians worked five hours assembling King Kong, who landed
at Roissy in pieces.
|
Paris Match, December 24, 1976, Page 4
Download a high-res image
It took three trucks to transport it from Los Angeles to New York.
There, the head and legs were loaded onto an Air France 747 cargo plane,
then the body and the arms. Like a star, King
Kong came with his hairdresser, the American Michael Dino. For the
fur of the monster, he tested thirty-four materials, from human hair
to synthetic. He finally opted for horsehair, stiched hair by hair in
the rubber "skin." For the filming, there were three giant
gorilla robots of different sizes. Price: one million dollars. The
King Kong exhibited on the Champs-Elysées is the one who, in
the film, fell from the tallest tower in New York. The one who took
Jessica Lange weighs six and a half tons, has a skeleton made of aluminum,
and 1,500 meters of electric wire that make up its central nervous system.
Hydraulic pumps move his limbs and joints. A remake of the famous
King Kong by Merian Cooper and Ernest Shoedsack, the film cost
the producer, Dino de Laurentiis, twenty-four million dollars. It's the
most expensive in the history of cinema with Cleopatra. The story
is set in the present on a mysterious island where engineers are looking
for oil. King Kong is the symbol of the living forces of nature, corrupted
by man.
(Photo Caption: His body is covered in horsehair, but for the face,
a hairbrush is used by Michael Dino to perfect the layout of the fur.)
|
|
|